Photography with Joe

  The Return to Eoforwic: On the Strange Persistence of the Middle Ages in Toronto By E. Scholx , G. Bond and ZENO. Dedicated to AOI TORI THE BLUE BIRD https://joe-average123.blogspot.com/2026/04/the-return-to-eoforwic-on-strange.html There are few things more revealing about a society than the hobbies it refuses to abandon. Not the fashionable ones—the curated, algorithm-approved pastimes of the present—but the stubborn, slightly embarrassing, faintly glorious relics that continue despite everything. The Society for Creative Anachronism, tucked into church basements and public parks across Toronto, is one of these. And I should know. I used to belong to it. Or perhaps “belong” is too strong a word. One does not quite belong to the SCA. One orbits it. One flirts with it. One, at times, escapes it, only to find that it has quietly continued without you, unchanged in its rhythms, indifferent to your absence. So I went looking. The first thing you notice, if you check what passes for ...

 Rose, a radiant redhead, renders herself in a rhythm of recurring, self-reflective portraits—each pose poised between performance and personal mythology. Her images are not mere displays, but deliberate declarations: a crafted choreography of confidence, color, and control. There is a striking symmetry to her style—sensual yet self-directed—where every glance, every gesture, feels framed with intention. She builds a visual language of allure and autonomy, blending boldness with a kind of quiet, knowing irony. Her gallery becomes a curated cosmos—an artistic utopia of self-expression—where repetition refines rather than reduces, and identity is not fixed, but fashioned anew in each frame. To observe her work is to witness not just presentation, but process: the sculpting of self through lens and light, echoing a modern muse who is both subject and storyteller. Her photos are secret and shown only to a few. But they are radiant. 

  Kagebushi Photography First-person origin-point framing Signature hand-over-flash technique Shadow-doubling method Philosophical depth Comparisons to other existing techniques Kagebushi’s conceptual uniqueness Kagebushi Photography: Shadows, Presence, and the Hand That Shapes Light I was the first to put words and images to what I now call Kagebushi Photography . In the early 2000s, in Canada, I began experimenting with light and shadow—not just to take pictures, but to wrestle with presence and absence, identity and the self. The world has plenty of lighting tricks and shadow play, but I wanted something more intimate, more immediate: a conversation between photographer, subject, and the shadows they cast. My signature move is deceptively simple. I place my hand over the flash, shaping the light, letting shadows fall where they want, or where I want them to speak. The hand becomes a conduit, a mediator between reality and abstraction. Each shadow is deliberate, each angle consid...

: The Moral Cosmos of Star Wars: Droids, Force, and Ethical Weight Star Wars has always presented itself as a story of epic struggle, heroism, and the battle between good and evil. Beneath the lightsabers and starships, however, lies a complex moral universe concerning slavery, sentience, and spiritual significance. This essay explores possible trains of thought around these questions, raising issues without imposing definitive answers. Luke Skywalker and Moral Blind Spots From a modern perspective, the “good guys” in Star Wars are morally compromised. Luke Skywalker expresses affection for R2-D2 and C-3PO but discards droids that fail or break down. He participates in a society that normalizes droid slavery without questioning it. His selective morality highlights attachment contingent on utility and complicity in oppression. The Rebel Alliance freely employs droids while largely ignoring the ethical implications of slavery. The films emphasize personal bonds with droids rather than s...

Rachel Gilmore: Career, Controversies, and Public Perception Rachel Gilmore is a Canadian journalist whose career trajectory illustrates the complex interplay between traditional journalism, emerging digital platforms, and the volatile public discourse of the modern media ecosystem. While she is widely recognized today for her presence on social media platforms such as TikTok, her roots lie firmly in written journalism, blending analytical rigor with political reporting. Early Career in Journalism Gilmore began her professional life working in print-style and digital journalism , producing articles that analyzed political developments, disinformation campaigns, and national events in Canada. Her early work at Global News involved investigative reporting and fact-checking, particularly in areas where misinformation could influence public opinion or affect electoral processes. In these roles, she developed a reputation for thorough research and precise reporting, characteristics that ar...

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